April 18, 2010
Canadian Musician
 



Canadian Musician magazine showcases unsigned Canadian acts in our Showcase section. We publish this section online to help further promote Canadian artists.

Archive for May, 2009

Najuah

Friday, May 22nd, 2009

Contact: , management , www.myspace.com/najuah

Energy. Enthusiasm. Edge.

Those are the first three words that come to mind when trying to describe Toronto’s Najuah, a six-piece pop/rock act fronted by sisters Juliet and Hanifa that also features the talents of drummer Jeremy Kleynhans, rhythm guitarist Brian Seligman, guitarist Neil Whitford, and bassist Ben Miller.

The band’s current stock and trade is a zippy, club-friendly mix that draws from a host of influences ranging from ’70s punk music, ’80s alternative rock and ska to power pop and contemporary soul.

If you put Blondie, The Specials and EnVogue in a blender, threw in a dash of The Walkmen and added a snippet of Exene Cervenka, you might come up with something resembling Najuah’s sound today.

Screaming guitars are married to big dance beats, big bass lines, and thundering drums share space with the kind of organ sound The Doors and Strawberry Alarm Clock used to go for.

And on top of everything are these two over-the-top voices. Juliet and Hanifa have energy to burn and they burn up a lot of it on tracks like “Pablo,” “Manhattan,” and “Someone Else.”

The bandmembers are writing good material, they’re pumping a lot of juice through it, and they’re going for big production values, the latter with the help of producer Malik Worthy (Esthero, k-os, Molly Johnson) and Grammy/Juno Award winning mixing engineer Jeff McCulloch. Good people to have in your corner.

Najuah have caught the ears of industry players like MuchMusic, MTV Canada, BET, the Canadian Music Network, and Billboard magazine, and even bigger things are, I expect, looming on the horizon.

Jennifer Meade

Friday, May 22nd, 2009

Contact: SAMJAM Music and Entertainment, Samuel “BIKS” Bikai, 514-878-8195,
[email protected], www.myspace.com/jammeade.

Jennifer Meade is all about the positive.

The Montreal soul/R&B singer has a big, full contemporary sound that carries a message and that message is one of hope, love, faith, and building on inner strengths.

Her music has been described as inspirational R&B. Those words tend to send shivers up the backs of some radio programmers – unless of course you happen to be programming gospel music – but at a time when so much negativity abounds, perhaps an occasional injection of something a little more upbeat wouldn’t hurt us.

That being said, the lyrics aren’t the first thing that caught my attention with Meade. It was the voice.

This woman’s got a major league voice, the kind A&R guys from Stax, Motown, and Atlantic used to go crazy for: silky smooth but with a lot of muscle behind it.

Meade, whose influences include Kirk Franklin and CeCe Winans, recently released Divine Conversations Vol. I and Vol. II, a collection of more than two dozen new original songs that blend R&B, soul, hip hop, funk, gospel, and pop.

She’s described them as a series of conversations with the Holy Spirit. Some might find her music a little preachy, but preachy or not, it’s heartfelt and it’s hard to ignore what she can do to a piece of music.

Dalannah Gail Bowen

Friday, May 22nd, 2009

For bookings, contact: Kristie Schneider, , Paul Mercs Concerts, 604-683-8763.

She’s opened for B.B.King, Buddy Guy, Muddy Waters, and Taj Mahal, and she’s worked with Willie Dixon, James Cotton, and Walter “Shakey” Horton. She has a truly spectacular set of pipes and a most commanding stage presence – but chances are that unless you frequent Canada’s major blues festivals or tune into blues radio, Vancouver’s Dalannah Gail Bowen may still be an unknown commodity to you.

That’s because Bowen only released her first blues CD, Mamma’s Got The Blues, in November of 2007. Since then there has only been one other offering: I Just Want To Talk To You, a limited release featuring remixed and remastered versions of some of her favourite jazz songs.

Bowen, who’s been honing her craft now for over 40 years, has one of those voices that lays claim to part of your soul the first time you hear her and never lets go. One listen to her version of the Booker T. Jones/William Bell classic “Born Under A Bad Sign” sold me on Bowen. I suspect I’m not alone.

That scenario kept repeating itself over and over again all the way through Mamma’s Got The Blues. Tracks like “You Can Take My Husband (But Please Don’t Mess With My Man),” the album’s title track, and her cover of Jimi Hendrix’s “Up From The Skies” kept me going back for more.

It’s that voice. Smokey. Earthy. Soulful. Powerful.

At various times she reminds me of Billie Holiday, Etta James, Big Mama Thornton, and former Loading Zone lead singer Linda Tillery. But it’s not just the voice – it’s what she does with it. So much emotion. So much control. That she likes to mix things up is also a big plus. One minute it’s a blues standard, and the next an original blues treatment of a non-traditional blues song. Turn your head and she’s mining a jazz vein.



To Submit your band to Showcase, visit www.sonicbids.com/cmshowcase.

 


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